Stereo Viewing Upsets Cinematic Continuity: Filmic Cuts Are More Salient in 3D Than in 2D Movies
- Publication type:
- Journal article
- Metadata:
-
- Autoren
- Frank Papenmeier
- Hauke S Meyerhoff
- Heiko Hecht
- Markus Huff
- Autoren-URL
- https://www.webofscience.com/api/gateway?GWVersion=2&SrcApp=fis-test-1&SrcAuth=WosAPI&KeyUT=WOS:000777030100001&DestLinkType=FullRecord&DestApp=WOS_CPL
- DOI
- 10.1037/aca0000476
- eISSN
- 1931-390X
- Externe Identifier
- Clarivate Analytics Document Solution ID: 0E9ZM
- ISSN
- 1931-3896
- Zeitschrift
- PSYCHOLOGY OF AESTHETICS CREATIVITY AND THE ARTS
- Schlüsselwörter
- cinematic continuity
- filmic cuts
- 3D
- binocular disparity
- soundtrack
- Datum der Veröffentlichung
- 2022
- Status
- Published
- Titel
- Stereo Viewing Upsets Cinematic Continuity: Filmic Cuts Are More Salient in 3D Than in 2D Movies
- Sub types
- Article
- Early Access
Data source: Web of Science (Lite)
- Other metadata sources:
-
- Autoren
- Frank Papenmeier
- Hauke S Meyerhoff
- Heiko Hecht
- Markus Huff
- DOI
- 10.1037/aca0000476
- eISSN
- 1931-390X
- ISSN
- 1931-3896
- Zeitschrift
- Psychology of Aesthetics, Creativity, and the Arts
- Sprache
- en
- Online publication date
- 2022
- Status
- Published online
- Herausgeber
- American Psychological Association (APA)
- Herausgeber URL
- http://dx.doi.org/10.1037/aca0000476
- Datum der Datenerfassung
- 2024
- Titel
- Stereo viewing upsets cinematic continuity: Filmic cuts are more salient in 3D than in 2D movies.
Data source: Crossref
- Beziehungen:
- Property of