English Literature and Culture 2

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The following list shows all publications with a direct relation to the organisational unit. To retrieve a list which includes publications of subordinate organisational units, use the search facet "Organizational structure".

• Alcohol, sympathy and ideology in George Gissing's The Nether World (1889) and The Odd Women (1893)
• Sharon Pollock\'s "Walsh" : an exercise in historiographic metafiction
• Rezension zu: Swantje Möller: Coming to terms with crisis : disorientation and reorientation in the novels of Ian McEwan. Heidelberg 2011
• Graham Green : Brighton Rock
• Rezension zu: Horlacher,Stefan: Masculinities : Konzeptionen von Männlichkeit im Werk von Thomas Hardy und D. H. Lawrence. Tübingen 2006
• Introduction : conjoining literature and linguistics
• Disconcerting mirrors : Angela Carter's Lizzie Borden Stories
• Drama
• Modernism
• The Changeling
• George Chapman
• Rezension zu: Lehman, Peter (Hrsg.). Masculinity : bodies, movies, culture. New York 2001
• Rezension zu: Berry, Philippa: Shakespeare's feminine endings : disfiguring death in the tragedies. London 1999 und Dubrow, Heather: Shakespeare and domestic loss : forms of deprivation, mourning and recuperation. Cambridge 1999
• Rezension zu: Hotz-Davies, Ingrid (Hrsg.). Psychoanalytic-ism : uses of psychoanalysis in novels, poems, plays and films. Trier 2000
• John Marston
• Sarah Kane
• Rezension zu: Deubner, Paula: "Into the light". Trier 2012
• Apocalypse and literature : introduction
• Angela Carter : identity constructed - deconstructed
• Bildexzess und Bildermacht im englischen Theater der frühern Neuzeit
• Sounding the depths of early modern dramatic epilogues
• Creatures of compromise : neostoic philosophy and male realignment in John Marston's "Sophonisba"
• The hidden misogynies of queering "Light" : the case of "The Hours"
• Negotiations of violence in jacobean drama
• 'Das wollt Ihr, was? Das gefällt Euch, wie?' - Ralf König rewrites Shakespeare
• "Bussy D'Ambois", the duel and the dynamic of performance
• Angela Carter : naturalist
• Shakespeare and the (evolved) pleasures of revenge
• Rudy Wiebe in conversation
• From Dramatic Text to Theatrical Experience
• When Dialogue Fails
• Putting Strangeness in Perspective: John Fletchers The Island Princess
• Comparative Perspectives on the Robinsonade (special issue of Porownania/Comparisons).
• Translating Renaissance Experience
• Origins and effects of poetic ambiguity in Dylan Thomas's Collected poems
• Constructing Coherence in the British Short Story Cycle
• Symbolism An International Annual of Critical Aesthetics
• An Introduction to Poetic Forms
• Constructing Coherence in the British Short Story Cycle
• “Introduction: Repetition and Variation”
• Mythos (in) Kane
• A literary-linguistic reading of Graham Greene's "Brighton Rock" : interdisciplinarity in practice
• Feminine misogyny and sisterly undercurrents : cases of groundless solidarity in Fay Welden\'s "Remember me"
• Trapped in language : aspects of ambiguity and intertextuality in Sylvia Plath\'s poetry and prose
• Gods, what a sluice of blood have I let open : the anxious excess of jacobean drama
• No ideology without psychology : the emotional effects of Shakespeare s Henry V
• Rezension zu: Jowitt, Claire: The culture of piracy, 1580-1630. Aldershot 2010
• The theatre of civilized excess : new perspectives of jacobean tragedy
• Introduction
• The sensual renaissance : introduction
• Introduction
• Rezension zu: Taunton, Nina: 1590s drama and militarism : portrayals of war in Marlowe, Chapman and Shakespeare\'s Henry V . Aldershot, 2001
• Rezension zu: Fudge, Erica (Hrsg.). At the borders of the human : beasts, bodies and natural philosophy in the early modern period. Basingstoke 1999
• Thomas Middleton
• Evolution und Erzählmacht : zur Natur des Erzählens
• J.G. Ballard : Rushing to paradise
• Being me and being dead : Jim Crace´s embodied materialism
• How is culture biological? Violence : real and imagined
• International contexts 1 : whatever do the Germans want? ; 1990s British fiction and the condition of Germany
• Rezension zu: Weidle, Roland: Englische Literatur der Frühen Neuzeit. Berlin 2013
• Travels in no-man's land : closure and transgression in Janette Turner hospital's "Oyster"
• Rezension zu: Tatzl, Dietmar: "Secret, black, and midnight hags" : the conception, presentation and functions of witches in English renaissance drama. Wien 2005
• Bringing the past to heel : history, identity and violence in Ian McEwan's black dogs
• Thomas Middleton
• The role of the emotions in literary communication : Joyce's A portrait of the artist as a young man
• Whatever happened to all the heroes? : British perspectives on superheroes
• Fire and rage and cruelty : J.G. Ballards faszinierter Blick auf die weibliche Gewalt
• In-yer-face theatre : Sarah Kane
• Bio-cognitive constraints in the reception of short story cycles
• Kognitive Verfahren als Reflexionsmittel in der Literaturwissenschaft
• Agency and conflict in Andrea Levy's polyphonic London
• Rezension zu: Foakes, R. A.: Shakespeare and Violence. Cambridge, 2003 und Aebischer, Pascale: Shakespeare's violated bodies : stage and screen performance. Cambridge, 2004
• The murderer as moralist or, the ethical early McEwan
• Cognitive literary studies : on persistent problems and plausible solutions
• Rezension zu: Toolan, Michael J.: Making sense of narrative text. New York 2016
• Rezension zu: Rist, Thomas: Revenge tragedy and the drama of commemoration in reforming England. Aldershot 2008
• The fatal effects of Phaedra's love: Sarah Kane
• English poetry in the sixteenth century : Sir Thomas Wyatt, Henry Howard, Earl of Surrey, Anne Locke and the Petrarchan sonnet tradition
• Revenge and innovation : Thomas Nashe's enduring vision of fundamentalism
• Enabling resistance : reading "Atonement" in Germany

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• Department of English and Linguistics