Rainer Emig

Beziehungen:

Autor von

• Recovered Coherence in an Early Short Story Cycle: Rudyard Kipling’s 'Plain Tales from the Hills'
• Auden in German
• Lust in the Ground: The Erotics and Politics of the Soil in Contemporary English and Irish Poet
• Queer Humour: Gay Comedy between Camp and Diversity
• Modernist Hopkins: Towards an Aesthetic of Self-Destruction
• Introduction
• Die Unübersetzbarkeit moderner Lyrik
• Dominion, Order, Loss: Approaching Wallace Stevens’ Poetry through Psychoanalysis and Phenomenology
• Renaissance Self-Unfashioning: Shakespeare's Late Plays as Exercises in Unravelling the Human
• Adaptation in Theory
• Adaptation and the Concept of the Original
• Treasure Hunts: Between Decadence and Morality
• Transgressive Travels: Homosexuality, Class, Politics and the Lure of Germany in 1930s Writing
• Making War Poetry Contemporary
• Wars Without Battle - A Post/Modern Writer and War: Heiner Müller
• False Memories: The Strange Return of the First World War in Contemporary British Fiction
• Sexing the Matrix: Gender and Sexuality in/as Cyberfiction
• Alien Sex Fiends: The Metaphoricity of Sexuality in Postmodernity
• Saving Private Realism: War Films – A Retarded Genre?
• The Hermeneutics of Empire: Imperialism as an Interpretation Strategy
• Artists, Bad Eggs, and Apparitions: Wyndham Lewis’s Modernist Künstlerroman 'Tarr'
• Treasure in Literature and Culture: From Motif to Discourse
• Strange Things in English Gothic Novels
• Literature and the Discursive Construction of Identities
• The Victorian Abject: Depicting Lowlife for a Nineteenth-Century Audience
• National Identity in and as Translation
• Auf dem Jahrmarkt der Sexgötter
• Text-Literature-Text: Self-Reflection and Self-Destruction as Two Related Features of Textual Systems
• Doing Business in West Africa: The Case of Ghana
• Hopes for Poetry
• Introduction: Ulysses’ Small Universes
• The Politics of Cooking: Television Chefs and Contemporary British Ideology
• Craggy Island – Cranky Ireland? Serial Visions of Irishness in 'Father Ted'
• Englischsprachige Literatur
• The Visiting Card: A Historical Medium that Bridges Culture and Literature
• Die Domestizierung des Krieges: Florence Nightingales ‚Public Relations’-Strategien während des Krimkriegs
• Shakespeares gleichzeitige Konstruktion und Dekonstruktion des (früh)modernen Menschen in 'Timon of Athens' und 'Pericles'
• Von Neds und Chavs: Britische Jugendkultur zwischen Ignoranz, Kreativität und Widerstand
• Introduction: Performing Masculinity
• Towards a Biodegradable Subjectivity: Two Women Poets from the Celtic Fringe
• The 1900 House: Squeezing Late-Victorian Life onto the Small Screen
• “Meet Your Friendly Next-Door Pervert! On the Current Popularity of Transgressive Sexualities in Literature, Film and Television
• ’What is dead may never die, but rises again, harder and stronger’: Religion als Macht in ASOIAF
• “From the Closet to the Fitted Kitchen: Exclusion, Belonging and Hospitality and Their Connections to Objects and Spaces in W.H. Auden’s Poetry
• Einleitung: Gender  Religion
• Right in the Margins: An Eccentric View of Culture
• Bringing War Home: The Crimean War, the Telegraph, and Florence Nightingale
• The Dragon in the Gate: Modernism as a Challenge to Contemporary Poetic Genres
• Madness, Eccentricity, Sociability: Menry Mackenzie’s 'The Man of Feeling' (1771) and the Trials of Modernising the British Subject
• Ambivalente Figurationen: Politisierungen und Erotisierungen des männlichen Körpers durch englische Autoren im Deutschland der 1920er und 30er Jahr
• Missing in Act(i)on: Asian-British Pop Music Between Resistance and Commercialization
• Von der Einsamkeit zur Einbauküche: Außenseitertum, Zugehörigkeit und Gastlichkeit und ihr Verhältnis zu Dingen und Räumen in der Dichtung W.H. Audens
• Unwriting the Good Fight: W.H. Auden’s ‘Spain 1937'
• Lost Places – Productive Spaces?
• Fantasy as Politics: George R.R. Martin’s 'A Song of Ice and Fire'
• Treasure Hunts: Between Decadence and Morality
• “Institutionalising Violence, Destruction and Suffering: Pitfalls, Paradoxes and Possibilities of War Museums in Brita
• Adaptation: An Introduction
• Exploding Family Values, Lampooning Feminism, Exposing Consumerism: 'Absolutely Fabulous'
• Forum: Wissenschaftliche Ethik – Einführung
• Blasting Jane: Jane Eyre as an Intertext of Sarah Kane’s 'Blasted'
• ’Because I am a Man, and I Have Acid Hands’: Environment, Ethics, and Masculinity in Contemporary Welsh Poetry in English”
• Modernists as Decadents: Excess and Waste in G.M. Hopkins, T.S. Eliot, Ezra Pound and Others
• Competing Melancholies: (En-)Gendering Discourses of Selfhood in Early Modern English Literature
• Poetry from the Fringes: Poetry as the Fringe of Culture
• Preface
• India on the Internet
• Reverse Translation – Perverse Translation? The Strategies of Alexander McCall Smith’s The No. 1 Ladies’ Detective Agency Novels
• Mainstreamed into Oblivion? LGBTIQ-Cultures in Britain Today
• Staging the Phallus: 'Naked Boys Singing!'
• Introduction
• Taking Comedy Seriously: British Sitcoms in the Classroom
• The Empire Tickles Back: Hybrid Humour (and its Problems) in Contemporary Asian-British Comedy
• Inflationary Masculinity in Shakespeare: Gendering the Early Modern Subject
• Introduction
• Introduction: Re-fashioning Gender
• Beyond Alterity - Within Alterity: Edith Sitwell's Self-Reflexive Assessments of Modernism
• The Novel of the First World War
• Meshack Asare’s Sosu’s Call: Reading an African Children’s Story Theoretically – Without Getting Scared
• The Family – a Sitcom
• A Neo-Victorian Travesty: 'Hunderby'
• Ganz normale Liebe: Lesben und Schwule
• Ethnicity as Comedy: The Ambivalences of Humour and Gender in Recent Asian-British Novels
• Ulysses
• „Übertragene Dekadenz: Überlegungen zur Rezeption britischer fin de siècle-Literatur bei Stefan George und Hugo von Hofmannsthal
• Literary Criticism and Psychoanalytic Positions
• Queering the Straights – Straightening Queers: Commodified Sexualities and Hegemonic Masculinity
• An den Krieg gekettet: Heiner Müllers Visionen von Krieg und ‘Nachkrieg'
• Auden and Ecology
• Terror und Verstummen: Gewalt und Widerstand in Shakespeares Komödien
• Assimilating the ‘pretty youngster’: George Eliot’s Eroticized Men on the Borderlines of Morality, Religion, Race, and Nation
• British Paganism Today: Tradition, Reinvention, Life-Style Option, or Ideological Resistance?
• Low on Assurance: The Troubled Masculinity of Victorian Comedy
• Enlightenment Struggles over Gender and Creativity: The Debates on Spleen
• ’This is my voice, my weapon of choice’: Grace Jones’s 'Hurricane' (2008) as Global Commodity and Postcolonial Critique
• Out of Place or Caught in the Middle: Edward Said’s Thinking Between Humanism and Poststructuralism
• Political Masculinities Then and Now: Bully Gordon and Miss Westerwelle
• Sentimental Masculinity: Henry Mackenzie’s 'The Man of Feeling' (1771)
• Comparative Decadence? Male Queerness in Late Nineteenth- and Late Twentieth-Century Fiction
• Das Unbehagen der Geschlechter (oder seine Überwindung) in der BBC-Serie 'Him & Her' (2010-2013)
• Terrorismus schreiben – zwei zeitgenössische britische Romane zum islamistischen Terror: Chris Cleaves 'Incendiary' (2005) und Sunjeev Sahotas 'Ours Are the Streets' (2011)
• Teaching Auden in Britain
• Eccentricity Begins at Home: Carlyle’s Centrality in Victorian Thought
• Von unmythischen Mythen und einem unerhabenen Erhabenen: Ironische Rituale der Selbstinszenierung in Byrons 'Childe Harold’s Pilgrimage', 'Manfred' und 'Don Juan'
• The Great Peter Pan Deception
• Cultural Studies and Literary Studies: A Troubled Relation
• The Cambridge Spies: Class, Gender, Sexuality and Politics in Cold War Britain
• Modernism in Poetry Motivations, Structures, and Limits
• W.H. Auden Towards A Postmodern Poetics
• Krieg als Metapher im zwanzigsten Jahrhundert
• Stereotypes in Contemporary Anglo-German Relations
• Gender-Religion
• Hybrid Humour Comedy in Transcultural Perspectives
• Performing Masculinity
• Commodifying (Post)Colonialism "Othering, Reification, Commodification and the New Literatures and Cultures in English"
• Treasure in Literature and Culture
• Anglistentag 2014 Hannover Proceedings (36)
• European Britain
• In Parenthesis: The Subject at War
• Speechless Monads, Power-Free Discourse and Techno Trance: Critical and Cultural Theory in Germany Today
• A Double Disappearing Act: War and its Media
• Macro-Myths and Micro-Myths: Modernist Poetry and the Problem of Artistic Creation
• Augen/Zeugen: Kriegserlebnis, Bild, Metapher, Legende
• Befreiung zur Ordnung: Körper, Erotik und Sexualität im englischen Frühviktorianismus
• ‘All the Others Translate’: W.H. Auden’s Poetic Dislocations of Self, Nation, and Culture
• Imperial Decadence/Postcolonial Decadence: Excess, Aesthetics, and Ideology in Late Nineteenth-Century and Postcolonial Twentieth-Century Writing
• Imperial Decadence/Postcolonial Decadence: Excess, Aesthetics, and Ideology in Late Nineteenth-Century and Postcolonial Twentieth-Century Writing

Editor von

• Treasure in Literature and Culture: From Motif to Discourse
• Auf dem Jahrmarkt der Sexgötter
• Introduction: Performing Masculinity
• Einleitung: Gender  Religion
• Treasure Hunts: Between Decadence and Morality
• Preface
• Introduction
• The Empire Tickles Back: Hybrid Humour (and its Problems) in Contemporary Asian-British Comedy
• Introduction
• Low on Assurance: The Troubled Masculinity of Victorian Comedy